The Greeks told stories both to preserve their culture and entertain, and later generations used oral storytelling often set to music or even told poetically through meter and rhyme. The poem-like format of these stories assured that the tale stayed in both the mind of the speaker and of those in his audience.
But there are tons of ways that poetry can help the creative writer. Whether you've dabbled in lyric form for years already, or claim to "just not get it," poetry can:
- Open your mind to new possibilities: If you flip through a poetry anthology, you may be surprised to see that there is no one poetic format. You will, of course, find poems in traditional verse like the sonnet, written in fourteen lines of ten syllables. However, you may also find prose poems written in paragraphs, or even visual poems, arranged to resemble the things they describe. The point is that there’s no one way that a poem “should' look – and there’s no one way that fiction “should' be. Though publishers will require that the format of your manuscript adhere to certain standards, the content of your fiction can be whatever you want it to be. You can tell a story through letters, in the format of a diary, or even include some snippets of poetry, perhaps written by a character.
- Help you pay attention to detail: A well-crafted poem is like a puzzle: each aspect is deliberate and works toward a unified purpose. Poets use line breaks to force the reader to focus on a specific word or image, to create a sense of suspense, or even to make a poem more pleasing to the ear. A poet may even spend hours pondering punctuation, wondering, for example, whether a period or semi-colon would be stronger – or even whether to use punctuation at all! Though a work of fiction will usually be much longer than a poem, it can be helpful for fiction writers to consider their work as a puzzle, too. Of course, not every scene in a book will be action-packed, but every scene can, and should, serve a purpose, even if it just establishes a setting or a backstory. Each element of your well-crafted piece of fiction should develop the story you want to tell.
- Help you capture images in an unusual way: William Carlos Williams, a famous poet of the imagism poetry movement, once said that there are “no ideas but in things.' And sometimes, the entire idea of a poem is only to describe a thing. One only needs to look as far as Williams’ poem, “The Red Wheelbarrow,' or Ezra Pound’s haiku-like poem, “In a Station of the Metro' for proof. And while a work of fiction will be more than just a description, it is important that an author be able to completely and originally describe the people and places in his story. Fiction writers can look to poetry for original and beautiful descriptions of everyday happenings and objects. The next time you find yourself wondering how to describe a blue-eyed beauty or the setting sun, read some image-heavy poetry (again, Williams and Pound are a good place to start, and Marianne Moore, Elizabeth Bishop, and John Ashbery should not be forgotten, either), and then try to imagine that you’re writing a descriptive line for a poem. You may be surprised to see that the line you come up with is more original than what you might have otherwise written.
So here's your assignment.
- Write 5 original poems (at least ten lines, or 500 words for prose poems). It'd be particularly helpful if you wrote the piece with a character or setting in mind, and feel free to use your creative exercises as prompts. Sometimes it's helpful to come up with a central focus for all 5 poems, but that's not necessary.
- Give your collection a title. Print the title on a cover page, along with a preface statement if you wish (not required).
All assignments need to be emailed to me by the deadline - firstname.lastname@example.org
Here are some links that might be helpful!